A Digital History Timeline

1983
"Computer Art"
"Computer Art" by David Em at The Long Beach Museum of Art, a solo exhibition with guest lecture by James Blinn and David Em.

A hands-on computer graphics class was offered by Leonard Lombardi and Art Numora at the Long Beach Museum of Art Video Annex. Another special hands-on workshop class was taught by Frank Dietrich. Recently arrived from Chicago, Frank had been involved with the Tom DeFanti-Dan Sandin crowd at the National SIGGRAPH Headquarters and went on to work with Silicon Graphics Incorporated.

Students in his workshop included Victor Acevedo and Karen Kennedy who later became one of the principles of MVC (see 1986).
 

1984
Hands-on computer art classes are offered at West Coast University taught by Tony Longson on a regular basis.

Despite the interest on the educational front, digital art had a difficult time entering the mainstream of the art world and needed alternative venues for its continuance.

“Cyber Tapestry”
Only three years after the introduction of the PC to the general public, EZTV mounted its first computer art show called "Cyber Tapestry" which featured work by Leslie Wilson. EZTV was founded by artist John Dorr in 1979 to give artists access to video and electronic art production and post-production equipment. The facility included a gallery-theatre as a multi-media exhibition venue. EZTV quickly became the center of the Los Angeles digital underground by virtue of sponsoring or co-sponsoring many significant digital art exhibitions. Michael Masucci has been a principle member of the EZTV staff since 1983, the year it was incorporated.

“The Creative Computer”
A digital artists’ collective was created at the Los Angeles Museum of Science and Industry. Their first exhibition, “The Creative Computer”, featured the work and computer graphic demonstrations by Dona Geib and Edie Paul.
 

1985
"Beyond the Threshold"
EZTV participated in a LA Siggraph sponsored multi-media performance and exhibition called “Beyond the Threshold” at the Palace in Hollywood. This event was co-produced by Bob Gelman, Joan Collins, and Ron Hays. Victor Acevedo curated a show of digital art prints in the lobby of the theatre.
 

1986
“Print-n/Print Out” at Palos Verdes Art Center was juried by Conner Everts, Palos Verdes, CA. Dona Geib won an award for her digital work.

Modern Visual Communications a.k.a. MVC - a short lived (6 months) gallery dedicated to showing digital and video art - is established by Richard and Karen Kennedy. Exhibiting artists among others included Guy Marsden, Diane Piepol, Ed Emschwiller, Woody and Steina Vasulka. Acevedo designed the announcements and wrote PR material for the gallery.
 

1987
“Computer Superstars”
An EZTV group show among others, including artists Rebecca Allen, Shelley Lake, and Montxo Algora.
 

1988
In February, Los Angeles Center for Photographic Studies (LACPS) annual members exhibition at The Brand Library Gallery, Glendale, CA. Primarily a photography show. This show marks the public premiere of Victor Acevedo’s digital work.
 

1989
“Metropolis”
A one-person show of digital work by Victor Acevedo mounted at Metropolis restaurant on La Cienega Blvd. in Los Angeles.

“The Flesh and the Spirit”
Michael Wright exhibits his first digital print at the Art Store Gallery, Los Angeles, CA.
 

1990
“Siggraph/LA Art: 1990″
A Group show at EZTV, this show was co-organized by Patric Prince, Victor Acevedo, and Michael J. Masucci. A small catalogue was published and has since become a collectors item. This exhibition includes the work of Victor Acevedo, Rebecca Allen, Max Almy, Teri Yarbrow, Gloria Brown-Simmons, Ron Davis, David Em, Shelly Lake, Tony Longson, Stewart McSherry, Kamram Moojedi, Vibeke Sorensen and James Wrinkle.

David Glynn exhibits his first digital work at the ACM/SIGGRAPH '90, Art Show, in Dallas, Texas curated by Patric Prince.

An exhibition called “Hard Copy”, sponsored by Verbum Magazine at University of California at San Diego, included work by David Glynn and Stewart McSherry.

"Verbum Digital Gallery"
The “Verbum Digital Gallery” at the first CyberArts International Conference at the Biltmore Hotel in Downtown, Los Angeles featured work by Victor Acevedo, Stewart McSherry, Michael Johnson, Ellen Sanders & Stephen Myers of 'Art to the Nth', Sandra Filippucci, Beverly Rieser, and Barbara Nessim. This conference was sponsored by Miller-Freeman publications and co-produced by Bob Gelman and Dominick Milano. Michael Wright is a guest artist in the computer program run by Tony Longson at California State Summer School for the Arts at Humbolt State. Patric Prince is the principle guest speaker.
 

1991
“The Computer Generated Art of Michael Wright” was the artist’s first solo exhibition at Buena Park City Council Gallery, Buena Park CA.

The Los Angeles Printmaking Society’s National Exhibition, a bi-yearly event, began to exhibit digital prints and was curated by Elizabeth Smith in '95, Henry Hopkins in '93, and Laddie Dill in '91.

“Artist and Computer” curated by Scot Canty for LA Municipal Satellite Gallery at the WLA City Hall Group show included, among others, Victor Acevedo, Dona Geib and Bettina Brendel.

Verbum Gallery of Digital Art at the 2nd CyberArts International at the Pasadena Convention Center. Artists included Victor Acevedo, Sandra Fillipuci, Michael Johnson, Marius Johnson, Bert Monroy, Barbara Nessim, Anthony Munn, Ellen Sander of 'Art to the Nth', Brian Hughes, Carrie Heeter, Michael Gosney, Jack Davis, Jamie Levy, Beverly Reiser, Michael Masucci, Kim McKillip, Nicole Stenger, Joe Tripcian, M. Aldighieri, Sharon Grace, Jim Gill, Bob Pringle, Christen Gruel, Mort Helig, and Aaron Ross. In addition, Michael Wright created on-site digital portraits and exhibited work in the On Line Gallery which was curated by Patric Prince.

CyberSpace Gallery Opens at EZTV
Artist Michael J. Masucci and art historian Patric Prince formally open CyberSpace gallery which was housed upstairs at EZTV. CyberSpace was the first gallery in Los Angeles since 1986 dedicated to electronic art, however, with a more focused curatorial mandate toward work that was primarily digital. Ms. Prince was the chair for ACM/Siggraph traveling exhibition for a number of years. SIGGRAPH, the worlds largest graphics sig group, makes Southern California a regular stop on its convention schedule. Ms. Prince also curated the “On Line Gallery” at the cutting edge 1990-1992 “CyberArts International” conferences.
 

1992
“Living Gallery” & “Silent Partners”
In September, a solo exhibition by Mason Lyte called “Living Gallery” opened concurrently with “Silent Partners”, the Inaugural exhibition at CyberSpace Gallery at EZTV. The group show included Victor Acevedo, Liz Crimson, David Glynn, Mason Lyte, Ken Phipps, M.K. Haley, John Hawk, Guy Marsden, Laura Ames Riley, Louise Diedrich, Laurie House, and Michael Wright. In October, the “Digital Gallery” returns to the 3rd CyberArts International at the Pasadena Convention Center. On this occasion Patric Prince, Michael Wright, Liz Crimson, and Tom Pike, among others, participate in “Portrait Virus” - an interactive internet work and exhibits his work in the On Line Gallery.
 

1993
Uri Dorthan has a one-person show titled “Mind, Man, Machine: the computer art of Uri Dorthan,” at the Sam Francis Gallery, curated by Patric Prince, in Santa Monica, CA.

“New Art”
In February, “New Art” opens at CyberSpace Gallery EZTV. Juried by Patric Prince and Randal Oliver, this group show included Guy Marsden, Magi Bollock, Karin Schminke, Frank Rozazy, Paul Brown, Diane Fenster, Erol Otus, Susan Ressler, Gerd Struwe, and Mara Wave.

“Digital Salon Des Independents”
In July, “Digital Salon Des Independents” opens at CyberSpace Gallery. This exhibition was mounted in response to “Machine Culture”, the purely robotics and interactive art show held at the Anaheim convention center as the Siggraph '93 art show. “Machine Culture” disallowed any static or digital print work. “Digital Salon Des Independents” participating artists included Victor Acevedo, Rebecca Allen, Sherie Lynn Behr, Uri Dothan, Carol Flax, Dona Geib, Jean-Perre Hebert, Paras Kaul, Tony Longson, Nancy Macko, Stewart McSherry, Kamran Moojedi, Barbara Nessim, Ron Owenby, Edie Paul, Andrew Scott, Richard Sim, Stephanie Slade, Howard Smith, Eugenie Trow, Roman Verostko, Victoria Vesna, and Michael Wright.
 
“Pictures from the Hyper World”
EZTV also exhibited “Pictures from the HyperWorld”, curated by Paul Lee. This exhibition was co-sponsored by LACPS Group show and included works by Steve Davis.

“Computer Influence”
In September, the Downey Museum of Art mounted an exhibition called "Computer Influence". This group show was juried by Michael Brodsky and Scott Ward and included Victor Acevedo, Ken Goldberg, Glenn Kainno, Barbara Nessim, Derek Seelig, Tim McCourt, Robin Valle, Darren Bordier, Deena des Rioux, David Familian, Rebecca Bollinger, Steven Monaci, and others. The exhibition was curated by art critic Peter Frank.

In October, a one-person show titled “Tony Longson: reconstruction”, curated by Michael Wright, opens at the Sam Francis Gallery in Santa Monica, Ca.
 
“Computer Revelations”
In Pomona, California, “Computer Revelations” opened at the DA Gallery. This group show included work by Victor Acevedo, June Alexis, William Brun, Robert Bullock, Truda Chandlee, Dona Geib, David Kekone, Nancy Macko, Gloria Martin, Babette Mayor, Barbara Sultan, and Byron Wilding.
 
“A Digital Dialog”
“A Digital Dialog” opened at Cypress College, Cypress, CA. Curated by John Bilotta, it featured work by David Glynn and Stewart McSherry among others.
 
LA Art Fair
In December, EZTV & CyberSpace Gallery is included in The 8th International LA ART FAIR '93 Los Angeles Convention Center group show. The artists exhibited included Mimi Abers, Victor Acevedo, Sheri Lynn Behr, Steve Davis, Ken Goldberg, Dianne Holland, Robert Lowden, Guy Marsden, Laura Ames Riley, Vertical Blanking, Michael J. Masucci, and ia Kamandalu (Kim McKillip).
 

1994
“Digital Spectrum”
In February, “Digital Spectrum” was curated by Fatimeh Holste and opened at Mount San Antonio College, Walnut Cal. This group exhibition included Victor Acevedo, Karen Schminke, Thomas Ward, Michael Johnson, Trici Venola, Darlene McElroy, David Lynch, Jon Wokulu, Dona Geib, Howard Smith, and Michael Wright.

“Digital LA”
In July: “Digital LA”, curated by Michael Wright, at Sam Francis Gallery, Santa Monica CA opened to the largest crowd in the galleries history. The group show included Victor Acevedo, Dona Geib, Michael Wright, Tony Longson, Liz Crimson, David Glynn, Kamran Moojedi, Robert Lowden, Bettina Brende, Mason Lyte, Frank Rozazy, Nancy Macko, Trici Venula, Louise Krasniewicz, Karin Schminke, and Cathie Lamm. This exhibition was reviewed on Japanese television in Tokyo.

“I Sing the Body Electric”
In August, the Lancaster Museum of Art mounted an exhibition called “I Sing the Body Electric”, curated by Susan Wiersema. The group show included Victor Acevedo, Dona Geib, Stewart Dickson, Rich Sim, Eugenie Trow, Jaydee, Clinton Price, Robert McMahan, Darlene Sprunger and Glen Knowles. This exhibit was reviewed in the Los Angeles Times.
 
“Underexposed” at the LA Municipal Art Gallery
In September, the Los Angeles Municipal Art Gallery presented “Underexposed”. This exhibition included digital work curated by Jonathan Green, Director of the California Museum of Photography. Digital work by Victor Acevedo, Lisa Bloomfield, Molly Bosted, Merrilyn Duzy, Linda Ewing, Ramiro Fauve, Carol Flax, Amani Fliers, Dona Geib, Michael Johnson, Tony Kurt, Howard Smith, Barbara Sultan, Franklin Westbrook, Corinne Whitaker, and Michael Wright were included in the exhibition. This show was reviewed by major Los Angeles Times art critic William Wilson. However, he made no mention of the digital art.
 
“The Magic Wand, Lasso and Marquee”
In October, the Conejo Valley Art Museum in Thousand Oaks, California presented an exhibition called “The Magic Wand, Lasso and Marquee: Computers in the Artist’s Studio”. This exhibition included work by Robin Valle, Amani Fliers, Mason Lyte, Laurel Paley, and Michael Wright among others.
 

1995
“Information Superhighway”
In March, the Downey Museum of Art in Downey California presented “Information Superhighway”. This National exhibition was curated by Patric Prince and Peter Frank and included artists Victor Acevedo, Jeff Gates, Diane Fenster, Diane Holland, Louise Krasniewicz, Nancy Maco, Laurel Paley, Frank Rozasy, and Michael Wright among others.

“Kamran Moojedi: Digital Works”
In July, “Kamran Moojedi: Digital Works”, a one-person show curated by Michael Wright was presented at Sam Francis Gallery, Santa Monica, California. This exhibition included Moojedi’s famous plotter portraits of Jackson Pollack and Andy Warhol.

“Digital Site”
In August, the international ACM/SIGGRAPH '95 conference at the L.A Convention Center presented two satellite exhibitions. The SITE Gallery, Los Angeles, CA. presented “Digital Site”. This Exhibition was sponsored by the Los Angeles artist-run organization SITE and co-produced by Michael Wright and Victor Acevedo with web site design by Mason Lyte and David Leathers. Artists in the show included Victor Acevedo, Nancy Buchanan, David Glynn, Dona Geib, Ken Goldberg, Jane Gottlieb, Jeanne L’Heureux, Diane Holland, Mary Hughes, Michael Johnson, Paras Kaul, Louise Krasniewicz, Tony Longson, Robert Lowden, Mason Lyte, Michael J. Masucci, Kamram Moojedi, Franklin Odel, Ron Owenby, Laurel Paley, Frank Rozasy, Lothar Schmitz, Howard Smith, Robin Valle, Shorty Vassalli, Trici Venola, and Michael Wright.
 
“Digital Mediations”
“Digital Mediations” was presented by Art Center College of Design as part of Peter Lunenfeld’s "The Digital Dialectic" conference. This exhibition included Jim Campbell, Ken Feingold, Sara Roberts, Bill Seaman, Christa Sommerer, Laurent Mignonneau, and Jennifer Steinkamp.
 
“Digital Explosion”
In October, the Finegood Art Gallery of West Hills, California presented “Digital Explosion”. This group show featured work by Victor Acevedo, Truda Chandlee, Preston Craig, Diane Destiny, Merrilyn Duzy, Nicholas Fedak, Dona Geib, Mason Lyte, Ron Ownbey, Laurel Paley, Audrei Phillips, Karen Schminke, Keri Seligman, Nathan Singer, Robin Valle, and Michael Wright.

Michael Wright is juried into the Los Angeles Printmaking Society’s 13th National Exhibition, with a digital print, at LaBand Art Gallery, Loyola Marymount University, Los Angeles, Cal.

David Glynn exhibits “Vital Signs”, a digital work at the Los Angeles Municipal Art Gallery, Hollywood CA.

“Events from a Virtual World”, a solo show by Mason Lyte, is presented at the DesignArc gallery Santa Barbara.
 

1996
“Deux ex Machina”
In February, “DEUS EX MACHINA” is presented at California Polytechnic College, Pomona, CA. This group show with panel discussion, moderated by Patric Prince, included works by Victor Acevedo, Anna Boyiazis, Truda Chandlee, Merrilyn Duzy, Nicholas Fedak, Dona Geib, April Greiman, Babette Mayor, Barbara Nessim, Audri Phillips, Karin Schminke, Robin Valle, Trici Venola, and Michael Wright.

In March, Digitalogue Gallery at Bergamont Station in Santa Monica, California presents “David Glynn”, a solo exhibition of large scale prints.

“Computer-Generated Fine Arts”
In October, “Computer-Generated Fine Arts” is mounted by the Riverside Community College Art Gallery, Riverside, Cal. This group show included among others, David Glynn, Ron Ownby, Dona Geib, John Dingler, Babette Mayer, and Michael Wright. The exhibition is reviewed in the Riverside Press-Enterprise.
 

1997
“L.A. DIGILANTES: a retrospective” the Museum of Art, Downtown Los Angeles, featuring Victor Acevedo, Dona Geib, David Glynn, Louise Krasniewicz, Tony Longson, Michael J. Masucci, and Michael Wright.